The Purcellville Gazette's latest issue contained a review of our Pride and Prejudice. David Sackrider spoke kindly of us, indeed, he spoke kindly of us when he reported on Macbeth, too, but he still rather took me aback. I detected what you might call a worldview collision. I'm not trying to refute him exactly, and I may misquote him slightly, because alas I don't have a copy of the article with me and it isn't online yet, but I'll try to exercise charity. :-) He got me thinking.
He started out the article talking about how we were "keepin' it real" without baggy jeans, cell phones, or i-pods. Rather, we got it across by the characterization. Well--yes, precisely. The story works because it's a good story, and the characters are real people. Eden Troupe assumes that all people, in all times, are the same kind of thing--namely, human--and therefore old stories can be quite as relevant as new ones; possibly more relevant, because less blinded by our own culture's idiosyncrasies. Regency humans were living people too, and that's one reason Jane Austen is still so popular: she was a good artist who could create people recognizable as such. It frankly never occurred to us that Pride and Prejudice could be less real because it wasn't set in the twenty-first century.
The i-pod comment threw me for a loop. What in the world would make someone think that reality was determined by the presence or absence of i-pods?? I guess if you define "world" to include only our present material reality, then technology looks more important. Probably if you assume that you can determine your reality, either in a New Agey, ubermenchish, or just plain secular way, then technology is really important, because technology helps you do it. Or maybe technology is just the most interesting thing presented to us, and so we start defining our universe around it. For where your treasure is, there your heart will be also.
I suppose I was coming at the question differently. Life is more than i-pods, and the body more than fashion. We, like the medievals, are accustomed to seeing people in every story, in Paradise Lost, in Abraham and Isaac on Mount Moriah, at Troy, in Jerusalem, in Rome, on the Grail quest when being tempted by fiends disguised as maidens in black silk, in the court of Queen Elizabeth, in Jane Austen's book about the Bennets and Darcys and Bingleys, and even maybe in modern stories about Mr. and Mrs. Smith. The fact that hardly any of these people wore jeans struck me as a complete irrelevancy; I myself don't wear jeans all the time. The medievals had a habit of ignoring cultural differences entirely and illustrating even Biblical characters in contemporary medieval garb; historical costuming accuracy is rather cool, but their way emphasized the immediacy of old stories. They say when Shakespeare put on Julius Caesar, the senators wore Elizabethan doublets.
Yet I don't want to ignore the difference that clothes make to a person. There's something about living up to how you dress. I think outfits have customs attached to them, like words have connotations as well as their denotative meaning; one behaves more formally when wearing a Liberty Ball gown, and the militia stands up straighter when in uniform. When you put on the robe of righteousness which is Christ's, you become more inwardly righteous. Yet--you are a person, no matter what your clothes, and therefore a story about you has the potential to be interesting and applicable to other persons.
Shyamalan's "The Village" is an interesting case in point. Perhaps the movie is more "relevant" because of its ending, but I'm not convinced.
Which brings me to an observation I made this morning at church. We sang the Doxology, and our worship leader--an excellent fellow--said we were going to sing it in a way that was "more relevant." This involved adding drums and guitars. That's it. The only difference I could find. I inquire, with some concern, if songs without guitars and drums are therefore less relevant. Modus tollens would indicate so. Don't get me wrong, I like drums and guitars. I actually prefer them to organs, though organs have their good points too (like the fact Helen loves them:-)). But--what??? The relevance of truth is determined by which instruments you use?? Yipes!
I hereby assert that God determines reality, and as long as that is quite straight, details like fashions in worship, clothes, philosophy, and technology suddenly become a lot less important. Pride and Prejudice, anyone?
Sunday, May 07, 2006
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2 comments:
Quite. Worship is not about entertainment, nor about you.
As a somewhat related but mostly just tangential thought, it occurs to me that if art is about teaching and delighting, then our culture tends to overemphasize the delighting. (And they frequently define "delight" pervertedly, too, but that's a bunny trail.) It's very difficult, when reacting to something, not to swing too far in the other direction: hence, I think, the very boring didactic Christian fiction which is, blessedly, in general disreput now. And I go too far in the didactic direction too.
So what I'm trying to work on is keeping the good doctrine--the teaching--the "message"--and still delighting with my art. I can learn delight from our culture; they're extremely good at it, in the rather limited sense they understand it.
I appreciate that modern worship is trying to delight, instead of just teach. I think that's healthy. Do you remember the Anne book where Mrs. Lynde was complaining because the pastor made the congregation laugh during his trial sermon? The assumption was that pleasure had no business in church: which probably explains why Anne's theology was as wacky as it was.
But--you're quite right, the trouble with cool worship that it degenerates into entertainment. You're not suggesting banning guitars, and that's good, because not only is it very pleasing to wrest them out of the enemy's service, but also it wouldn't solve the heart issue. What we probably need are people bound and determined to worship. Sir, bring us revival.
At the risk of beating a dead horse (my review, not your well done presentation of "Pride and Prejudice") I want to explain the iPod related comments in my review.
Among the people I know who use the term "Keepin' it real" it most often pops out when thoughtful language is too much trouble. Instead of describing the various buffeting of body and spirit that forces a person into introspection and discovery from which understanding can evolve, a person might say, "I'm keepin' it real." In either case, the person says that who she is has importance and that she will not let that slip away. The difference is that the person using shorthand speech is not really adding anything new to the discussion of our human experiences. Similarly, the "keepin' it real" generation or subculture uses symbols, such as baggy jeans, cell phone and iPod familiarity, as shorthand for describing who they are, and who the rest of us aren't.
My generation took a rap for praising non-conformity while wearing a uniform of blue jeans, sandals, t-shirts and beads. What we wanted to keep real was the difference between ourselves and our parental generation. We did not express our individual selves with much clarity in the process.
In the review, I was driving at the idea that people use generational and subculture-specific codes of dress and accessorizing to show others who they are. In so doing, they actually mask who they are.
Jane Austen's characters are dressed and badged and labeled to a fair-thee-well. Mr. Collins and Lady de Bourgh would feel right at home in a typical college student union, hangin' with the peeps and keepin' it real. The pleasure of this story and your production is that Elizabeth and Mr. Darcy ultimately express their real selves in spite of their costumes and their airs. These two see that their real selves are not the people they are portraying, and do something about it. These are the two real human characters in the drama.
iPod as a symbol for post-Christian Americans using technology as a wedge to separate themselves from the absolute truth some say is found in scripture could be an interesting topic and we could discuss that at length, but it is far afield from what I intended in the review.
--David Sackrider
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